Saala Movie Review : Aged wine presented in a well-known vessel
The film contains numerous unexpected moments; however, it would have benefited from a more cohesive structure.
Synopsis of the Film Saala: A conflict arises regarding the reopening of a renowned bar in Royapuram, leading to a confrontation between two opposing factions and a fervent anti-alcohol campaigner.
Saala Film Critique: The backstory of Saala centers around Guna (Aruldoss), a local gangster who adopts a young boy after the child heroically saves him during a violent altercation. This boy matures into Saala (Dheeran), whose primary objective is to reclaim the Parvathy Bar for Guna, the man who nurtured him. This personal quest lays the groundwork for the ongoing power struggle regarding the bar's reopening. Competing for control of the bar is the merciless Thangadurai (Charles Vinoth). In the midst of this conflict is Punitha (Reshma Venkatesh), a dedicated social activist who fervently opposes the establishment of liquor shops in proximity to schools, temples, and hospitals.
Positioned at the center of the narrative is Punitha (Reshma Venkatesh), a dedicated social activist fervently opposing the establishment of liquor shops in proximity to schools, temples, and hospitals.
As the plot progresses, Saala's attempts to reopen the bar face resistance from Thangadurai. Initially, Punitha's campaign against alcohol irritates Saala; however, her genuine commitment to the welfare of orphaned children eventually captivates him. The conflict intensifies when Thangadurai resorts to selling illegal liquor through Saala's establishments, resulting in unexpected repercussions. The storyline then pivots to the struggle for bar ownership and the wider implications of rampant alcohol distribution, significantly heightening Saala's personal stakes.
Saala embodies the characteristics of a conventional masala film, infused with elements of romance. It presents the familiar power dynamics of North Chennai, featuring drunken bar scenes and brawls that are typical of Kollywood. Although it does not innovate in terms of narrative or cinematic techniques, director Manipaul adds sufficient intrigue to maintain viewer engagement.
Dheeran portrays Saala with charisma, his robust physique complementing the character effectively. Reshma Venkatesh delivers a heartfelt performance as the persistent yet sincere activist. Aruldoss showcases his adaptability, while Srinath, as Saala’s companion, offers comedic relief. The supporting cast, including Charles Vinoth and Sampath Ram as a corrupt inspector, contribute commendable performances that sustain audience interest.
Overall, Saala serves as an entertaining film, albeit lacking in originality.
